This act took a neat turn in the middle, one of those "you had to be there to understand" kind of things. But, as a general walkthrough of Alexandra's performance, let's start at the beginning.

On stage there was a large, and I mean large spider-web looking contraption. What was it for? Well, after having her mouth taped, Alexandra was chained to the giant contraption by an assistant. Also, no words have been spoken up to this point!

The assistant then walked to close a curtain in front of the chained-up Alexandra and without stopping walked behind the curtain and out the other side... except, it was Alexandra that appeared on the other side and she immediately ripped down the curtain to show the assistant bound and chained where the magician was just a second ago!

And then, remember that "turn in the middle" I mentioned? And then, she wheeled over a chalkboard and threw an inflatable ball into the crowd.

As the ball bounced around the audience, she pointed to the chalkboard for the current holder of the ball, and they selected one of the values for the current turn. Values such as "Odd" or "Even", then "Red" or "Black". Eventually, the card that was freely selected by the audience was the 10 of Diamonds.

Tearing the tape from her mouth, that was placed there at the very beginning of the act, she pulled a card from her mouth and holy smokes, it was the 10 of Diamonds!

There were two very distinct and very different magical features in Alexandra's act, however, she very cleverly linked the two together via the very first thing that happened: her mouth was taped shut.

This single event, the taping of her mouth, set the stage for a lot in the trick. First, it fit well into her first trick of being bound to a spider-web thing. Second, it gave her justification for not speaking during her act, and effectively not being able to influence a selection. Lastly, it added even more suspense and mystery as to how the freely selected card was bound-and-sealed in her mouth the entire time!

Her first trick was flawless. She was clearly chained, and the assistant's flow never faltered, it was just a perfectly smooth and clean transposition. That alone was amazing to me. But then she went and brought out a chalkboard... and a beach ball.

The free-choice selection did feel like it took a little while longer than necessary, but the payoff was beyond worth it. I can only imagine how painful it was to remove the tape, but she consistently showed her hands to be empty -- in most other scenarios, the over-proof would have been annoyingly unnecessary but in her act, again, it was perfectly ideal!

Penn went straight into it and called out the name of the first part of her act, fairly well categorized as "Assistant's Revenge". I was confident while watching that they would've known that one immediately, so this wasn't a surprise to me.

Moving on to the second part of the act, Penn mentioned that they believe it was a completely free choice and, "pointing with his index finger," asked if they would be able to inspect the board itself in case anything was hidden. Alexandra turned the board around to reveal a not-so-pretty but oh-so-common-in-magic backing of the prop on stage. Penn and Teller then went up to manually inspect the board and found nothing!

What a fooler!

I loved this whole act. Yes, I felt like the "free choice" selection took longer than I'd like, but in the grand scheme of things, I think that it made the revelation at the end so much stronger.

I'm a little upset that Penn name-dropped "Assistant's Revenge." I don't, personally, do any kind of stage magic so tricks like that are still mysterious to me. I've seen them before, and sure I have ideas as to how they're done, but I don't actually know how they're done. Knowing their names makes me slightly more curious to look it up. I won't, but I could easily do it now that I know...

I had two immediate thoughts about the card revelation when she started bringing it out from her mouth. The first was the same as Penn's hint, except I was thinking that her hair had something to do with it and not the board itself. However, she showed her hands empty before pulling it from her mouth, so that wasn't it. The second thought is still plausible, but she wouldn't have had access to all 52 card values in this case. Doable, yes... but it would've changed the entire presentation and the "free choice" would've not felt very free. But it did. So, while plausible, it would've required several other outs and, well, we'll never actually know!

Great job, Alexandra!

This act started out all dark. Literally, there was only a silhouette of a man with a top hat!

As Artem came more into focus, his outfit still all dark, he removed his top hat and began playing with it curiously. Out of nowhere, a small white ball appeared. And just as easily, it disappeared!

Raising the hat above his head and tipping it over, the ball fell out, bounced on the floor and landed in his waiting hand. And thus, kickstarted the adventure of Artem's manipulation act.

The ball next travelled magically across the rim of the hat, Artem took the ball and it turned into a ribbon and then into a coin and back into a ball only to turn into a card.

Over the next few minutes, Artem produced cards, cards, and even more cards. The ribbon made a return, a thin card was seen, even a card turned fully transparent! All the end back as a lone ball.

All beautifully manipulated.

It may come as no surprise, but Penn and Teller were not fooled by this act. They, or rather Penn, said that Artem's act was great, and he had "unbelievable chops", and the primary hint was that he was doing things with cards that you'd do with billiard balls and turn them all into images.

In the end:

I really enjoy acts like this. Like, really enjoy them. I think that Artem's act is not only a pure demonstration of skill and practice, but also creativity, character, and planning.

However, and this is an honest question, but what is their purpose on Fool Us? In my opinion, a manipulation act like this would never fool Penn and Teller -- and I don't think it's meant to. I'm almost of the opinion that Fool Us includes acts like this for entertainment, and it also helps with publicity for the performer too. I say "almost" because I do want to hold on to the idea that maybe they are including something in their manipulation that they're trying to make P&T go "wait, how'd he do that?!"

Anthony began his act sitting at a table with his... magic grandma. On the table was a cup full of, what we learned to be, Scrabble tiles.

After a quick intro speech, he pulled Penn and Teller to join him and his... magic grandma... at the table. Once there, they began to play an interesting game of "I can hear letters as they're selected."

He had Penn and Teller each choose face-down tiles and place them into the cup, with a gentle shake he called out what they were. Soon, on a whiteboard held by the grandma, they had written FOO_ US, the "_" being a "blank tile".

Emptying out the cup, he asked Penn and Teller to confirm that they do indeed spell this. They didn't!

Shifting gears, Anthony asked them to come up with any word they wanted, using the tiles in front of them. They struggled slightly, perhaps the letters weren't the easiest to come up with words with. However, they eventually came up with a word and Anthony then revealed that his magic grandma is able to determine letters by taste!

They put the tiles that spelled the word into the grandma's mouth. Unfortunately, she began choking and smashed her head onto the table. Anthony lifted her head and asked Penn and Teller if the tiles stuck to her forehead made up their selected word:

Overall, the performance went smoothly. Letters were selected, miscalled, and things moved into the actual trick itself.

There were elements of the performance, however, that need refining. Misdirection via a spraying water bottle, for example, is kind of an odd thing to toss in there. Or maybe it wasn't misdirection at all and was just, a thing? And tiles stuck on the grandma's forehead when they clearly went into her mouth -- after all, that's what she's choking on -- rather discrepant.

Backing up to the middle of the routine, when Anthony poured out the selected tiles, it felt a little too nonchalant to be real. As a magician, I definitely get what he was going for. Don't draw attention to it, make it a normal, totally expected flow of clearing the table of tiles and emptying out the cup. Except, I think in this case it has the opposite effect of drawing suspicion. A little more proof, or fluff, added to the routine to demonstrate that these were in fact the tiles that Penn and Teller selected would have gone a long way.

Ultimately, the act didn't fool Penn and Teller. Penn did say that the act was done in their style, so that's kind of a plus. He didn't give a huge overview of things, but his main hint was that, when trying to find a word, they were just kind of stuck there with "fox".

When trying to get the "you didn't fool us" words out, Penn had a bit of trouble and... well, yeah.

As soon as we saw the "magic grandma," my son asked me "why does that grandma look like a grown man wearing a really bad mask." I told him that that was a very mean and rude thing to say, some people look differe... oh wait, that does look like a horribly bad mask, and very manly arms.

Circling back to what I mentioned above in the Performance Overview, my very first thought when Anthony poured out the selected tiles was that he just switched them. All the build-up around hearing tile values, and then nothing? That was a disappointing start, only to be further disappointed by the attempted-to-be-smooth tile switch.

And seriously, why spray water everywhere?

The biggest discrepancy for me, and I work tirelessly to try to avoid discrepancy in tricks, was that the tiles ended up on her forehead. Then again, perhaps that was what the mask was for 🧲

I feel like there was a lot of great potential in this routine. Anthony knows how to perform and speak well -- I liked his personality and general style. But the actual routine needs work, even for "comedy magic."

The act started with Rune standing at a table with Penn & Teller there with him. Seated on the table itself was an old chest, one that is said to have taken Rune 10 years to build. He opened the chest and smoke poured out... then he slammed it closed and said "that was it!" 🤣

After the quick comedy tension-cut, he produced a small metal cylindrical box. Inside he showed that it is used to hold three of his pills.

Very clearly, he took the pills into his hand and put them away into his pocket.

Placing the lid back on the box, he gave it a quick shake and upon opening it, a large coin magically appeared!

He poured the coin from the box and placed it on the table in front of him. Replacing the lid back on the box, he gave it a quick shake and upon opening it, another large coin magically appeared! Yet again, he placed this coin on the table.

Once more he repeated this and produced another large coin, and then another! Four large coins in total, stretching reality as there's no way those coins and the original pills could have fit in such a box.

And then, he placed the lid back on the box and gave it a quick shake. The three pills were in the box!

There isn't too much I can say about the performance itself other than it was smoothly performed and timed very well. I intently watched his hands, as would anyone who would be there with him, and they were as calm as I could imagine -- if it were me, I guarantee you my hands would have a slight tremor to them with that kind of pressure.

Rune's act didn't contain too much "fluff" in terms of story or patter, it was fairly straight to the point. Also, normally I dislike when a magician tries to force an idea into your head like "you see the card, it's a totally normal card right? it's normal, see?" -- but in this case, I was glad when Rune made a mention of the idea that those coins could not have physically fit into the container itself. It was a thought I had in my head after the second coin was produced thinking that there's no way anything else could be in there... but there was! It was, in this exact case, a confirmation of my thought that further solidified it and I think that that worked our very well!

Penn didn't spend time beating around the bush, he went straight with name-dropping that it was an Okito Coin Box right off the bat. Most magicians would've already known that, but I'm not sure if the entire audience needed to know that -- give them something to Google later on. Then again, during the episode my son shouted out:

So, maybe even a lot of non-magicians know what an Okito box is.

Moving on though, Penn's next hint was a good smack in the face to me to learn more coin magic:

I mostly focus on card magic, but I've been expanding my skillset over the last year or so and coins have crept in a little. Not a lot, but a little. And this specific thing, or "sleight", I still can't grasp how it actually works in a live performance. Anytime I find out that a magician employs it in front of a real audience, hot damn. Hat tip to you good sir!

Penn ended things by saying that Rune did in fact fool him, but he didn't fool Teller.

I enjoyed this trick, I thought that it was overall a good example of a magic trick. Was it "Penn & Teller: Fool Us" worthy, I'm not sure. Rune started off by speaking about creativity, but I can't really tell you the difference between the trick that was presented here and a standard Okito box trick. Was it the pills? Maybe. But if so, is it really that much different?

This episode's performance by Penn & Teller was primarily Penn. Teller was involved too, but it was really just Penn. Though, in a fun twist, Teller was the comic relief. I don't follow the world-of-juggling very much, but from what I can tell, this performance was an homage to Michael Davis's juggling routine.

There wasn't magic involved in this skit, it was actually a performance of juggling skill. Penn prompted the audience for members to provide any objects and he will juggle them. Any objects at all. He turned down things like phones and a shoe, but then Teller consistently -- from the audience -- insisted on providing an object. So, Penn brought him up and up he came... briefcase and all.

From the briefcase, Teller produced three different balls. The first was an apple. I'm assuming it was a real apple. The second was a light-as-could-be ping pong ball. If you've ever tried juggling with one, it's actually pretty difficult. The final ball was a heavy, normal sized bowling ball!

Penn juggled all three of them together and it was, overall, a good demonstration of skill. Though, I do still wonder how that bowling ball fit into the briefcase...

Moxie’s act started with Penn and Teller both having their jaws on the floor, simply shocked that he was there in person (he was supposed to be in Scotland).

I would say “once this subsided,” but it never really did, but the magic duo joined him on stage and took a seat at the table he was at.

He started by showing a deck of cards and how every card had a different number written on the back. The faces of the cards were all normal. Playing to the idea of a DNA-based connection, he first asked Penn to name a number, and then Teller too — Teller’s basically family!

Before going through the cards after they named their numbers, Moxie would say the name of a card and then spread through the deck to look for their named number and bam! The value of the card was the one he said.

Ah, backing up a bit, before doing all of that he had mentioned that his number was 37. He asked Penn to name a card, any card. Scrolling through the deck to find that card, the back of it was… you guessed it, 37!

Not including magically transporting himself from Scotland to Las Vegas, there were two tricks in Moxie’s act. The first was having her named cards appear on the numbers selected by Penn and Teller. The second was having Penn’s named card appear on the card with his selected number.

His patter, i.e. the story and theme he used, was very specific to his appearance on Fool Us as it was tailored to his relationship with Penn and Teller. It’s very possible to have had this act work with another story too, but I think that the personal touch made it nice.

As a card magician myself, I look for things like how tightly the performer holds the cards, how smoothly they spread them, and of course any general hand movements or attempts at misdirection that don’t fit. Moxie’s overall handling, as we could see on TV, was fantastic. Wide spreads of cards, openly handling everything right in front of the audience, and no real room for difficult sleight of hand. It’s almost a trick I’d expect to be marketed in the near future!

When it was Penn and Teller’s turn to break it down, Penn reiterated that he was fooled just by Moxie being there. He also said that this trick’s solution was all on Teller (remember, while they’re both magicians, Teller’s more a magician than Penn).

It’s in these cases I wish Teller would speak up. We know that he speaks — he’s been on other shows, in interviews, and even taught a Masterclass — but on this show he holds his voice just like in their acts. Oh well!

Penn dropped a solid hint about how the first part of the act worked, specifically about how the cards he named appeared on the cards with the numbers they named. For those curious, the quote was something akin to:

And then came the second part of the act: the card that Penn named appearing on the face of the card numbered 37. They were both fooled!

Penn said, and with good reason, that people will doubt whether they were really fooled forever.

As mentioned above, I enjoyed this trick. I liked the overall performance and handling, and I liked the effect itself.

The notes that I jotted down as I watched the trick align with Penn’s hint for the first part of the act. The second part, I had two immediate guesses. The first was a similar approach to the first part. The only problem with that is that the cards would’ve had visible differences to them, and I could see any from my angle — and Penn and Teller would’ve likely seen then from theirs too.

My other guess is kind of a wild one, but I tested it out on a card I had, and it does work… but neither Penn or Teller asked to inspect the deck of cards, so we’ll never actually know if it was the method or not. I might need to rewatch the episode and zoom in on the cards to see if there’s a tell anywhere in there to see if I was right. Chances are, I’m far from the way he did it =P

That said, the fact that I have two “maybe” answers means that I was fooled too! Fantastic performance Moxie!

Daxien took the stage with a large table in front of him and quickly got into his act by bringing out two large bowls and three decent-sized balls. And a stick. Not a wand, but a stick. A thick one at that!

Placing one ball in front of one bowl, then another under a bowl, and the third — wait what, they’re all three under a single bowl?! He repeated the effect with great humor and vanished balls from here and there, it was quite magical.

But wait, there’s more!

Daxien said that for such a big stage and having Penn and Teller so far away, he needs to make the trick even bigger. He took away the bowls and brought out giant soup pot lids and instead of balls, three chicken eggs!

He then proceeded to repeat the “cups and balls” routine with the giant pot lids and eggs, humor and all.

To prove, at least to magicians, the difficulty of his routine, he took each egg one-by-one and cracked it into a cup. Sure enough, they were real eggs… except the last one…

With the last egg, he put it under a pot lid and when raising it, out came a live chicken!

This performance was a unique and fun twist on the age-old cups and balls routine. I’m sure I’ve seen a rendition of it done with two cups (or bowls) and three balls before, but this performance felt like a first to me.

Daxien’s added humor, at least as far as I could tell, was added in purely for effect, not for misdirection. I really loved that about it too. It made the whole routine his and let his skill shine through.

A routine like this deserves to be seen in person, from normal "human sight" angles and not by moving cameras. While the performance itself was still enjoyable to watch on TV, I think that -- from a magician's point of view -- the experience was lessened slightly due to the angles and movement of the camera. Either way though, anytime an egg turns into a chicken is a good time!

I really hope that Penn's speech wasn't lost in translation or misconstrued by cultural differences, because it was full of very high praise.

He started off with statement after statement akin to "If you had asked us before the show if we had wanted to see a cups & balls trick" and "If you had asked us a week ago if we had wanted to see a cups & balls trick", all the way back to 15 years ago to ever, and then "no, we don't ever want to see a cups & balls trick again." Ending this tirade of "it's a cups and balls trick," Penn says:

The comedy aspect aligned with Penn and Teller's humor and was just different enough to make a solid impression. Unfortunately, it is in fact a cups and balls routine and Penn and Teller were not fooled.

Eric was the narrator for the act, Elizabeth the magician who was holding a ukulele. Or rather as the channeler since she was there demonstrating her powers with Ukulele ESP!

As Elizabeth was blindfolded, Eric brought out a "surprise object"... Elizabeth's middle school diary! Brooke was quickly brought over to be the spectator-assistant for the act.

Jumping right into things, Eric asked Brooke to flip through the book and find a page that had a picture on it. Any page, as long as it had a picture. We, the audience, weren't given a glimpse into the book, only Brooke saw what she was seeing. Eric then asked her to trace the picture with her finger.

As soon as she began tracing, Elizabeth was strumming the ukulele and described the picture that Brooke was currently tracing!

The act didn't stop there, oh no! Eric held the book and riffled through the pages and asked Brooke to stop him at any time. When she did, there was a song on the page. Elizabeth then started playing the song without any additional information!

For a final time, Eric held the book and riffled through the pages, again asking Brooke to stop him at any time. She did and he asked her to look at only the date in the corner of the page. The camera zoomed in and we saw a date in December. Elizabeth strummed her ukulele and made a comment about April Fool's Day (April 1st)... which was wrong!

After a claim that Ukulele ESP is not a real science, Brooke was asked to flip to the page with the date she had selected. Only, she couldn't because the page was torn out! About that time, Elizabeth's ukulele strumming began sounding different. Investigating as to why, it turned out that she was now holding a pick to strum the chords with, and she wasn't before...

The pick, when examined, was the missing page torn from the diary, all folded up!

Penn didn't beat around the bush on this one, he went straight into a question about the book itself.

I don't remember the direct quote for this one, but it was like:

They stated that in fact, no, the pictures are each uniquely different!

Since Penn and Teller only get one solid guess as to how a trick is done, and this was their guess, they were fooled! Two foolers in one episode!!! Or, three if you count The Cosmic Romantics as being 2 themselves (^_^)

I wonder if Penn & Teller will receive wedding invites?

The Cosmic Romantics work together nicely, though in this specific act, I didn't pick up as much "romantic chemistry" as I would have expected from an act with such a name, and with the intro they had for the show. They came off as "magician" and "magician's assistant" to me, when I expected them to both lead. It could've just been this one performance that was picked out-of-context from what their "whole act" is, or I'm just overthinking their name, but yeah.

I've never been a huge fan of "book test" magic tricks, especially when -- or specifically when -- the book is brought by the magicians themselves. In this specific case, it wasn't even a normal book, it was one that they very clearly had made. Yes, they performed very nicely, but once you've learned how to do a few variations of these routines, seeing them performed makes that "spark" no longer exist.

The last two tricks, where Eric riffled through the pages, it doesn't take a wild guess to determine how they were done. That's also why Penn never even talked about them. It's that first trick, where Brooke had a free choice of any page with any picture, where the questions arise.

I thought Penn's guess was an interesting one, I didn't think of that approach myself. My guess was actually more aligned with what I saw, or what I thought I saw on screen. To recall, I only watched the episode once -- as it aired -- and took notes while watching. My notes say that Eric was looking at the page that Brooke flipped to and started speaking only after the picture was selected. "ESP" based tricks with duo's work really well in those scenarios, especially if the duo works nicely together!

Update: when I went back to grab a screenshot to include in this post (after I wrote the above... but before I posted the actual post...), I happened to see that exact part of the act and I way-misremembered. Eric wasn't looking at the book, and it was actually Elizabeth (blindfolded and a distance away) who guided Brooke on finding any picture and tracing it. Consider my mind blown!

David's act, while I'm able to describe it from start to finish, is much better experienced than read. To summarize it briefly though, here's a quick breakdown of the magical effects. And again, this is a brief summary and not a description of the act itself (please go watch it if you haven't, it's worth it!)

He started off with a cookie in his hand which then vanished and was found in his shoe! Taking the cookie out, wait, now there is a full can of Coca Cola in his shoe!

He poured the entire can of Coke into a glass to prove that it was in fact a full can of soda. After crunching the can, he made the can magically "un crunch", then the tab re-sealed itself! But wait, there's more -- the glass on the table was now empty!

He re-opened the can and poured it into the glass again 🥤

David's act was fast paced, but also slow enough to really enjoy. The everyday objects, such as the cookie, shoe, and soda can, were so normal and usual that their presence didn't attract a vast amount of attention, and yet we the audience were focused on them the entire time. Because of this, David was able to bend our reality because we knew how these things should work, and yet the impossible happened!

He was telling a story along with his performance, but I can't remember any of it. It was the magic that I recall, and I would like to think that that's the way it was supposed to be. If not, perhaps that's worth considering.

There were a lot of hints thrown out during Penn's speech. Ultimately, they weren't fooled, but his overall review of the performance sounded pretty good.

He name-dropped a few other magicians such as Mac King and David Blaine, and made a starting comment about the props themselves being "simple props" that are "there for a reason", along with another comment or two that allude very specifically to how he performed the tricks.

The specific comment about the props being "simple", in my opinion, was more to the fact that they were everyday objects and nothing super fancy or suspicious, so I saw this as a plus.

I loved this entire performance, from start to finish. I'm also not going to lie; I have no idea how he vanished the cookie in the beginning so that alone would've caused me to be fooled for this act!

I'm familiar with the trick with the soda can, but I've never seen it performed in this way. Specifically, in a recursive nature where the can is emptied into a glass, then the can is restored and the glass itself is empty. Ah, yeah, the glass being empty fooled me too! I have a guess as to how that one happened, but without being there "in person" and only seeing the edited performance, I may never actually know.

Penn and Teller's skit was a warning for how dangerous dried vegetables are. Specifically, a bean.

They had Brooke sign her initials onto a bean and then Penn pulled out a handy-dandy slingshot! Or wrist rocket. Or, however you call it =P. Teller was holding a red Solo cup in preparation to catch the bean.

I forget the original premise of the trick, if I'm being honest, because they kept interrupting it with standard P&T humor. By the end of the routine, Brooke was fashioned with a hard hat, googles, and the cup that was already a decent ways away from anyone was now directly in front of Teller's face. The point being, and perhaps this was the premise, was for Brooke to be able to see the very fast-moving legume at eye level.

Penn pulled back and wham! Blood started spilling from Teller's mouth and sure enough, he caught the bean as it exploded through the cup without a problem.

As a teenager I loved watching comedy magic like Penn & Teller and The Amazing Johnathan, both of which have done their fair share of danger magic and tricks with blood involved. As an adult, I still enjoy these types of routines, as long as they're done in good taste and have a reasonable premise -- and most importantly, involve magic.

However, I also have children who like to watch this show with me. I know, I know... it's their standard Bullet Catch routine but with a slingshot and a bean instead of a gun and bullet, and it was just a little blood. Except, in this case, it's "danger magic" with everyday objects that kids typically have.

When I watched this episode, my 7-year-old was sitting with me and his eyes were wide open when the blood started coming out. He is, unlike my older kid, very impressionable and gets upset and frankly kind of scared when others get hurt. I had to explain to him that this wasn't real and how the trick worked (which I refrain from doing for normal tricks). But I explained it to him for two reasons. The first, to help calm him down. The second, because I know him and the very next day after watching this, he'd be out with a slingshot trying to replicate it with his friends.

As soon as I saw the blood, my first reaction was "crap, damage control time." My second reaction, after having a little time to think and process, was that the blood effect wasn't necessary in the routine at all. The normal Bullet Catch routine doesn't have it, the effect that the bean (or bullet) is "caught between the teeth" is the effect itself. Penn and Teller don't add fluff in -- if you don't count Penn's speaking -- they always do exactly what's necessary for the trick. My thought is, and I hope I'm right, is that they added the blood effect in for the very reason of scaring children away from "trying this at home."