Do you skim, or absorb? How do you read a magic book?

· Blog

The other day I was sitting in my chair and flipping through Gambling Sleight of Hand, like you do, and my wife asked me a pretty simple question. She asked: "how do you read a book like that?"

Now, she wasn't implying that it was a bad book. On the contrary. The context was that a "magic book" was perceived to be more like a textbook. Perhaps like a science manual? Of course, my answer was "to get all the secrets and be the next Sorcerer Supreme." But really... how do I read a book like that?

I've thought about it off-and-on and I know I have my own personal bias, as would everyone, so I tried to break it down into different reasonings to see if one way is better than another. I can't wait to finally answer her question 😂

Book Layout and Flow

There are so many different types of magic books out there. I'm not talking about the routines they describe or the size of the book, I mean the actual layout and flow of them are different. A non-magic book, like a story book, builds a setting and flows from the beginning of the book to the end. You know, like a book. But, what's this look like for a typical magic book?

Well, there can be chapters, or sections, or parts. No matter the word they use, there are usually "sections" that group together a handful of things that are related somehow. Like in the Card College Series, each chapter gives an overview of a specific sleight and different handlings and routines for that sleight.

It's also possible that there are no chapters and the book is just full of tricks. The tricks may or may not have anything to do with the others either. The 80's Called is a good example of this where it's literally just a list of tricks, neither follows the other for any specific reason other than that's just where the author put them.

One thing that's almost universal for magic books is how each individual trick or routine is explained though. The flow of each is usually started with a description of the overall effect, followed by any necessary props and preparation. Then comes the longest part: the step-by-step instructions on how to perform the routine. Sometimes, all of this is rounded out by notes or alternative handlings... but not always.

Skipping Around

What's the first thing you do when you get a new magic book? Besides read the back cover and inside of the dust jacket (if you even bother), you likely flip through the book really quick and catch a glimpse of a picture or two and if any catch your eye, you read that section. Or, maybe you have a routine of going straight to the Table of Contents, skimming it for something that catches your eye and then flipping to it?

I know folks who do this whenever they have a magic book - not just the first time through. Whether it's for a book that has sections split out, or just a list of tricks, if you have a page number and can flip right to it you're able to skip around and read anything individually.

The caveat to this approach is that you're likely to miss all of the other information throughout the book, but the main benefit here is you're going after exactly what you're interested in and skipping everything else.

Reading Like a Novel

Now this one's up my alley. Yes, when I get a book for the first time I definitely flip through it to see a few pics and to skim the Table of Contents, maybe even flip directly to a trick that catches my eye and read through it. But ultimately, when I sit down with a magic book, I plan to read the thing from front to back.

I read the Acknowledgements. I read the Preface and Introduction. Heck, I even read the Bibliography if it has one! I don't really do this due to any OCD, nor is it in the hopes of finding some magically hidden secret that's super huge (*cough* Drawing Room Deceptions *cough*). No, I do it because I feel like there's value in each section individually.

In the Acknowledgements page, for example, on several occasions I've come across authors or contributors that I've never heard of before and when I look into them, I find a whole new world of resources. That's the same with the Bibliography too, except in that case now I have references for where certain sleights, theory, or even full routines were obtained from.

I do fully admit that if I'm not interested in a trick after reading the Effect / description, or if it's not my type of magic, I'll skim it though. A lot of times I'll skip full routines too, but that's typically only in books that have mixed content like Card Magic and Rope Magic. I don't own any magical ropes... or real ones for that matter. Normally though, it's cover-to-cover!

Does this take a lot of time? Sometimes, yes. It depends on whether or not I'm actively practicing while reading, and how well written the content is. I've gone through small(ish) books that took forever to get through, like Expert at the Card Table and flew through larger books that are pretty easy to consume, like Principia. This doesn't mean one book has harder content than another, it's mostly based on again, how well it's written and if I'm practicing.

For example, the first time I read through Principia it took me about 4 hours. The second time, I actually had a deck of cards in my hand and took about a week. I had noted which routines sounded good to me the first time through and the second, I confirmed (and even expanded) that list while practicing! Now when I want to go through it again, I know exactly what I'd look at and what to skip.

Practicing While Reading

I touched on this briefly above, but having a deck of cards in your hand (or a coin, or a rope, or pretzels, etc) while reading through a book will drastically change your consumption of that book. Whether you're skipping to an individual trick or reading from cover to cover, if you are actively practicing while reading -- you're focusing on an individual trick (or sleight) and it's going to take you a lot longer to read through.

In my mind, the right way to do it is to read through the routine first and then go back with your cards and practice it. So that's the way I actually do it, right? Well, 9 times out of 10 I have the deck in my hands on my first pass through and if the routine, sleight, or sleight within a routine sound interesting to me I'm giving it a go. I've tried to do the read-first-practice-second thing and it works, but it takes so much more time.

I'm a hobbyist who has over-committed myself to the absorption of content and by doing so, am effectively hurting my ability to perfect any one thing (if you can say that something can be perfected). One of my current 2022 resolutions is to actually slow down a bit and practice more so hopefully that's corrected. However, I do think that there's merit to practicing on your first read-through. In my experience, attempting to follow-along without a full picture of what's coming next has led me to so many different sleights and routine ideas that I likely wouldn't have come up with if I knew what was next on the page. The real trick is remembering those things!

What's Best?

So, do you skim or absorb? Do you practice while reading, or only after you read?

There's not a one-answer-fits-all here. This one's definitely personal preference and I know that my way wouldn't work for others and their way wouldn't work for me. I don't think it really matters too much, as long as you're enjoying it in the process!

And then, there's video 🙃

Book Review: The 80's Called...They Want Their Magic Book Back

· Book Review

The 80's Called... They Want Their Magic Book Back

I remember the first time I saw an ad online for The 80's Called... They Want Their Magic Book Back on Vanishing Inc.. It was a related book to another I was looking at and my first thought was "oh, that's neat." And I didn't buy it. I did, however, add it to my never-ending list of books to look back into.

What felt like decades had passed by when I finally saw it again (via said list) and looked into it a little more. Quirky magic? Magic with flair? Sunglasses? Who is this Jonathan Friedman character and what on earth did he write?!

And so, I ordered a copy. When it arrived and I unboxed it, the first feeling I got from the cover was definitely a Miami Vice and Michael Jackson's Thriller vibe - that blue and pink fade, you can't escape it! The back's covered in quotes from other magicians, and it has some dude in sunglasses hanging out with a freaky chick. After you read Well Traveled, you might get that one a bit more =P

Books... that's so 80's

Jonathan's preface kicks off with a travel back to the 80's and describes how books -- actual physical books, were a huge driving factor for his magic back then, all the way to today. Sure, there was a break in-between to play a few tunes on the road, but the magic was always there and the books were a constant companion. So much so that he wanted to, or perhaps needed to write one of his own. This aligns with my own story just a little too strongly to not feel drawn to it that much more.

The book is a soft-cover. Nothing flashy, just straight to the point. The contents aren't divided into chapters or different related-sections -- nope, what we have here is a book full of routines. But wait, there's more! Hidden within the pages of routines are actually a decent number of sleights, scripts, and notes too (see below for a more in-depth on that topic).

Taking the extra step towards the 80's vibe we get to see era-specific graphics like jazzercising, Rubik's cubes, Pacman, and more! What's that have to do with magic? Nothing. But nostalgia is magical in its own way and these tie it together quite nicely.

The flow of this book is very smooth. Well, each routine flows smoothly. The routines don't flow into one another at all. Card magic followed by coins followed by another coin routine and then some pretzels. You don't have to read this one front-to-back at all, you could definitely skip around. However, the table of contents (i.e. the names of the tricks) doesn't really indicate what the individual tricks are about so you'll probably need to read the Effect of each trick first. That's one thing I really like about this book though, the layout of each routine. Each starts with a really good description of the effect, followed by what props you'll need and then any necessary preparation. Oh, and then and list of steps for the routine itself of course. And follow-up notes which may or may not include a handful of puns.

Quirky Routines, or Just Right

For some reason, my first thought when writing this was to start with the table of contents of the book. It's there, in the beginning. I glanced at it when I got the book for the first time. And then, I moved on. It helps with page numbers, but that's about it -- there's no good indication via the names of the routines as to what the routines are, or are about. Check out Routines & Themes below for an annotated table of contents for this book if you're curious about everything that it covers =]

The description you'll find online about this book is that the magic inside is quirky and visual. Visual, most definitely. Quirky, also! But, only if you're following the script as outlined by Friedman who has some pretty fun and quirky routines outlined in this volume. After reading the intro and preface, I knew that I'd need to read this book from beginning-to-end, and so I did.

The opening trick, Wannabe Ninja, sets the tone of the book quite perfectly. This trick is a barrage of effects that's inspired by, and ends like, Stabbed in the Pack by Johnny Benzais and Harry Lorayne (The Best of Benzais, 1967), or as Friedman says:

A booty-kicking, three-phase, "find-a-card" routine utilizing top-secret ninja techniques to get the job done.
- Jonathan Friedman, Wannabe Ninja

Now, when I say that Wannabe Ninja sets the tone, I mean it. Friedman recommends that the reader channels and vocalizes "various Kung-Fu sound effects and hiyah's" when performing the trick. You say tone, I say Karate Kid flashback!

The first routine has focus on cards, but then we jump to keys! Then we get to dabble with coins, more cards, a guitar pick, pretzels, and what?!... popcorn? You know, there's just not enough popcorn magic in the world.

The Kernel, a trick utilizing the principle of "the right place at the right time," reads like it would be the perfect candidate for the French Drop. But no, none of that nonsense here -- Friedman flips the script and utilizes a more practical drop to make an unpopped popcorn kernel magically pop right in his hand. I definitely got a kick out of the introduction of a Zippo lighter into the routine too... if you don't know, don't ask =P

Speaking of The Kernel and quirky, the provided scripts very much read as though they've been practiced and used. But, they also read as a very specific personality type. I love "fun and quirky" things, but the majority of my routines aren't. They're playful, and I love to include storytelling in them, but double entedre used in The Kernel wouldn't fit my likely audience of kids. Well Traveled is a very fun packet-to-pocket routine too, but a story of a freaky and paranoid queen doesn't mesh with my personality either. So what do we do here? Well, I love both of these routines as they read in the book and I want to use them, I just need to go to the drawing board and adapt them to my personality.

Takeaways

The 80's Called is a great magic book. It's full of nostalgia, but not in a sad or overbearing way. It's funny and carries the 80's vibe, but not in a "when I grew up, I had a funny uncle that did magic" kind of way. It has routines that span several different magic areas from cards to food, and they're all filled with personality whether it's Friedman's or one of the several contributors'.

I, personally, have bookmarked several routines in this book to add to my repertoire. But after going through it, I can definitely say that even if you or I never actually perform any of the effects here, it was definitely an interesting book and I think you'll find it the same.

The book says it's Volume One right on the cover so I'm excited to see Volume Two when it comes out. I'm also glad that he addressed what's up with the sunglasses early on.

Routines & Themes

If ever there was a nitpick I have with magic books, it's the title of routines that have nothing to do with the trick itself. Well, in The 80's Called...'s case, the titles are actually spot-on perfect for the overview of each trick. The only problem is, for most of the tricks you can't figure out what type of magic is used (cards, coins, etc.) by the name. And then there's Spoonmelt...

Here's my expansion of the Contents section of the book to help give a better introspection into what this book really dives into. Do note though, I'm avoiding copying the actual text for each "effect" from the book to leave some of the fun and quirkiness for you to discover yourself =]

  • Wannabe Ninja
    • Category: Card Magic
    • Effect: A booty-kicking, three-phase, "find-a-card" routine utilizing top-secret ninja techniques to get the job done.
  • Feats of Strength
    • Category: General Magic
    • Effect: A borrowed key is bent with the "power of the mind."
  • Twenty (by John Guastaferro)
    • Category: Card Magic / Mentalism
    • Effect: The magician predicts the spectator's ability to win at both blackjack and poker using nothing more than the magician's most excellent good luck.
  • Pencil Paper
    • Category: General Magic
    • Effect: A "pencil-paper" ink transposition, if you will.
  • Coins ala Carte
    • Category: Coin Magic
    • Effect: A coin is borrowed and split in two, plus a series of mystifying vanishes and appearances.
  • Auto Repeat, Disengage
    • Category: Cell-phone Card Magic
    • Effect: The discipline-challenged magician displays a "special" deck of cards and makes a selected card appear beautifully in the spectator's hand. Repeating the trick causes all of the cards to appear in the spectator's hand, except for the selection.
  • Well Traveled (by Cameron Francis)
    • Category: Card Magic
    • Effect: A four-Queen packet to pocket routine.
  • The Kernel
    • Category: Food Magic
    • Effect: The performer magically causes a popcorn kernel to pop in his palm.
  • One Little Letter
    • Category: Card Magic
    • Effect: A weird transposition.
  • George and Abe
    • Category: Coin Magic
    • Effect: Coin transpositions between a penny and a quarter.
  • White Light, White Heat, White Card (by Shaun Dunn)
    • Category: Card Magic
    • Effect: A brilliant display of thought transference, performed in three illuminating phases.
  • Selectigami
    • Category: Card Magic
    • Effect: A signed and selected card is revealed to the spectator after a code is "cracked," magically turning an indifferent card into the signed selection.
  • Outside the Inside
    • Category: Card Magic
    • Effect: The word "outside", written on the outside of a wrapped pack of cards is magically changed into the word "inside", written on the inside of the pack.
  • Spoonmelt
    • Category: General Magic
    • Effect: A melted spoon is magically reformed back to its original, unmelted condition in the spectator's hand
  • This is Real (by Francis Menotti)
    • Category: Stage Magic
    • Effect: An invisible knife is dragged across the performer's hand, leaving a trail of blood. When the audience looks back at the hand with the invisible knife, they see that it is now visible!
  • Greasy Pretzel Fingers
    • Category: Food Magic
    • Effect: The magician crushes a handful of pretzels to reveal a card selection in the crumbs!
  • Hot Air
    • Category: Card Magic
    • Effect: An ordinary card case defies gravity as it levitates off of an ordinary deck of cards.
  • The Sloppy Spectator (by Steve Mayhew)
    • Category: Card Magic
    • Effect: A spectator-shuffling Triumph with a four-Ace reveal!
  • Guitar-Pick-a-Card
    • Category: Card Magic
    • Effect: A guitar pick is thrown into a pack of cards, finding a selected playing card.
  • Magic Eraser
    • Category: General Magic?
    • Effect: Cleaning a quarter goes too far as it gets absorbed deep inside of a Mister Clean Magic Eraser
  • Jacked Up (by Joe Cole)
    • Category: Card Magic
    • Effect: After failing to find the spectator's card, the magician reveals the four Jacks and transforms them into 4/5th's of a royal flush, only to then spread the deck to reveal the spectator's selection face-up in the middle, completing the royal flush
  • Keycutter
    • Category: General Magic
    • Effect: An uncut key is visually cut into shape with nothing more than a little ink, a little bit of fire, and a whole lot of pizazz.

 

Happy New Year 2022

· Blog

A new day, a new year - Welcome to 2022!

December flew by, in my opinion. I remember the first week of the month I was putting up Christmas decorations around the house and this weekend, all of a sudden, I'll be taking them down.

The Instagram card community has been really great this holiday season. A lot of folks have been posting and sharing stories and interacting with one-another (including with me!). It's been awesome to see so many people from around the world come together over common interests. I also recently joined a magic group or two on Facebook (Dani DaOrtiz secret group anyone?!). I haven't been a big Facebook user ever, and I still don't use it for anything other than checking out some of the posts in those groups, but wow DaOrtiz has some amazing stuff in there.

I wanted to give a little recap of my deck & book situation from the past year, then talk about my magic-related New Year's Resolution. And after you've given that a read, check out my Happy New Year reel I came up with. It's 10 back-to-back color changes in an uncut video -- super fun (^_^)

Decks & Books of 2021

Box after box arrived throughout the month with new decks and new books that I ordered in November and early December. So many in fact that the mailman definitely knows I have a problem addiction obsession passion with cards. I got so many new things in the past month, I honestly lost sight of all the great decks and books I had received throughout the rest of the year too.

On Instagram over the past few days, I've been seeing posts about "my favorite decks from 2021" and whatnot. I wanted to make my own related post but couldn't immediately think of my top-few, so I delayed. And I thought more and couldn't come up with them and so I delayed again. Today, I thought about it even more, and I really, honestly, very much cannot come up with my favorite decks of 2021. There are so many great decks that came out and I like a lot of them (and I dislike a few too)… but I think that I may have just overdone it with deck purchases this year. Too much of a good thing is a bad thing, right?

Decks of cards arranged to spell 2022

I can easily think of my favorite decks, but they're from over the years and I've spent considerable time with each. This year it's been deck-after-deck and maybe a day or two with each, if I even opened it at all. The same with books. My pile of "new books that I haven't flipped through" is getting rather large and I'm getting concerns I may have crossed a threshold of too-many-books-and-not-enough-time. We'll see though... I'm normally a fast reader =]

Enter The Babbit's Grimoire. This site, as I've mentioned before, will not only help serve as an inventory tracker for me but I can also utilize it to record what I received and when. Also, since I'll be doing reviews I should be able to algorithmically determine what decks were my favorite! Anyone else excited for removing human opinion and letting the machines take over?! Kidding, of course =P ... I'll put some emotion into the A.I.

New Year's Resolution

It's about this time when we all kick back and make new resolutions going into the new year for things we'd love to change or improve about ourselves. I, for example, have done the cliché "need to lose weight" one annually for about 10 years now. But hey, maybe in 2022 I'll make it longer than last year!

The past year, or now that I think about it ever since the pandemic started, my focus in magic has shifted slightly. Not intentionally, just out of environmental factors and habit. It shifted from me practicing a routine until I nailed it to more focus on sleights, or fidget moves, or flourishes. Let's just say, I've practiced the classic pass at least 400 hours in the past year -- and that's not even intentionally practicing it. It's just become part of my fidget move routine. But hey, it's fast and clean! But hey, I also don't use it in any routine that I practice so yay.

Last year, I made a resolution to start photography with my camera (a Nikon). I charged it, took two or three pictures of nonsense just for fun, and haven't touched it since. Ugh. This year though, I have a few related resolutions that are more attainable.

First, I want to put more effort into my photography and videos. Yes, I only use my phone, but it does have a really great camera on it. I've noticed that with good lighting, the photos (and videos) are actually really high quality. With poor lighting, they look like crap. So, lighting. I've also been a "hey, here's a nice looking shot" and I take it and then post it. Or, I will think to myself "I haven't posted in a day or two let me grab a deck" and then 10 minutes later, a post's up. These are often the lower-quality posts I've put up and let's be frank -- content for content's sake just isn't good. For 2022, I'm going to put a higher level of effort into my work to show that I really do care.

Second, better video editing. Or, video edits? Or, video quality? So, I remember when I first started recording my tricks I'd do a crappy half-pass and flash seven times per 10 seconds of video. And I'd still post it. Nowadays, I might shoot 20 takes but if it flashes or the angle's not right, I won't post it until it looks clean. But it's still a video of a crappy half-pass. I don't do a lot of cardistry, but flourishing is fun. Color changes are pretty awesome. Multiple things can fit into a 60 second (or less) video and can do a lot more in terms of inspiration than a single "here's a card, let me find it, bam" type of trick. I want to do more of these, and maybe something with multiple angles and/or a moving camera. I'm excited just thinking about it!

And third, focusing on magic itself. I want my focus to shift back to routines. To dive into books to not just skim their secrets, but to learn them and appreciate them. To see beyond what's on the page and to explore the potential of a sleight or routine. The world's opening back up, I should be able to show more magic to more folks soon!

Hopefully I stick with these resolutions. If you're following along, you'll actually be able to see first hand so if I stray, feel free to reach out and yell at me!

But yeah, Happy New Year -- and I hope your 2022 is amazing (^_^)

Site Update #1

· Blog

The Babbit's Grimoire has been live for about a month now and it's coming along smoothly!

While there have been a few bugs I've fixed in the code already, the majority of changes have come as feature improvements. For example, I've replaced static images on the Library and Reviews landing pages with dynamic sections that highlight the latest from each category!

I've been able to write a few blog entries so far too. I've tried to write two a week but I don't know what my "schedule" will be yet, and the holidays have shifted things a little. Coming up with a solid schedule in the first month or two, especially with the holidays, is going to be difficult. So far though, the biggest hurdle that affects everything is data entry.

Library Additions

Data entry? Do what?!

Yeah, I have to enter in all of the info for the items in my library. All of the books, decks, videos, and tricks! This takes time, which takes away from actual blog entries themselves, but it's necessary so no complaints!

I just added a handful of new items if you want to check any of them out:

I'm trying to make things as detailed as possible and not just copy + paste from the vendor's website, so it takes a bit of time for each item. I'm learning a lot in the process though, so so far it's all fun. I can imagine a month or two from now I probably won't have the same opinion =P

Other Updates

I mentioned already the changes to the Library and Reviews pages, I was pretty happy those went in so smoothly. I also created a new Contact page and a Privacy Policy.

Why a privacy policy? Well, I don't really collect any information here on the site (except whatever you might submit from the Contact page) and I have no plans on changing that. So that's good. However, I added in Affiliate links and I figured that that might warrant one.

But, why affiliate links? I wish I could say "because adding them in will make it rain cash money,", but that's simply not true =P. I'm already linking to a ton of possible products so as a blog, it just makes sense to affiliate with the companies that offer said products. From my understanding, if things go well there's even potential of being able to offer special discounts on products for you! That probably won't happen for a while though, but how cool would that be =]

What's Next?

Oh my, what's next indeed. For one, more data entry. A lot more data entry -- I think I have somewhere between 500 and 1000 unique decks, and maybe 100 books? By the time I get close to entering them all in, obviously the collection will have grown! Oh, and that doesn't include the videos and tricks, which both actually jumped quite a bit during the recent Black Friday sales.

I'm also excited to create a "related content" type of widget that will appear on pages. Like, for example, when you're reading a blog post about Gaffs it could include a few related links for things like Drawing Room Deceptions or Flap 2.0 by Hondo, or other blog posts on the topic. I need more content on the site before something like this would really be useful, but thinking about it's creation now is important because I have to make the "data entry" tooling supportive of it from these earlier stages (that way I don't have to go back and update everything later).

Also, photos. I'm adding in info for decks right now and while I'm trying to be as thorough as possible, I feel like it could really benefit from more photos -- like a photo gallery for each. My intent was to include photos as part of the deck review, but I doubt I'll be reviewing every deck (who needs a review for each NOC color, I mean really =P). we'll see though, this is something that can be updated in the future.

Plenty to do, and it'll all come in time. If there's anything you'd like to see on the site (i.e. more reviews, more photos, a different feature or two, etc), please feel free to let me know and I can see about adding it to my queue!

 

To gaff, or not to gaff? That, is the question.

· Blog

When I was a kid and picked up a Svengali deck for the first time, it was amazing. I was little, my hands were small, and above all I wanted to awe people with my magical abilities. Fast forward a few decades when I finally got back into magic, if it wasn't pure sleight of hand it was the work of the devil.

Wait, what? Yeah, you heard me. If there was a trick card, a trick deck, a thread or tack or anything - I wanted nothing to do with it and thought pretty low of any tricks that required them. I wasn't alone either. I've read a similar opinion in books, online forums, posts on Instagram, etc.

It's been a little while since I really put thought into it, so I figured it was time to revisit this sentiment and then, I ran into a mental block. What exactly is a gaff, and how is it different from a gimmick?

Gaffs vs Gimmicks

In books I see references to gaffs or gimmicks all the time. Videos talk about them and magazines review them. When combing through different tricks to buy in a shop or online store, I see gaffs, gimmicks, and fèkes and taking a step back, what's really the difference?

I went down a rabbit hole with this one for sure. There are several forums that describe the difference between gaffs and gimmicks as:

  • Gaff: A special or modified object that is seen by the spectator(s)
  • Gimmick: A special or modified object that is not seen by the spectator(s)

And then a fèke is "an object or device used by a conjuror to perform a particular trick (or tricks)." With this definition, we can just consider a fèke a prop and move on. A prop, for reference, can be everything from an object that's just there for visual appeal (and, hopefully, misdirection), or it's actually used in the trick itself and can be gimmicked or not.

Okay, so, let's circle back around to what a "special or modified" object really means.

In card magic, something as simple as a duplicate card falls under this categorization. Or balls and cups, an extra ball or a lemon would too (though, the lemon crosses over into fèke territory a bit). How about a coin shell? Yup - that's there!

But wait, a duplicate card is seen by the spectator but they don't know they've seen the duplicate. So is it a gaff or a gimmick? What about a double-backer?

To me, gaffs and gimmicks are the same thing. We as magicians share a common lingo, and maybe at one point these two words really did mean two different things but as I get further into the world of card magic, I don't see the difference. Perhaps the distinction exists in other forms of magic more explicitly?

Either way, I use the two terms interchangeably. Flipping back through some books that I've seen the terms used in, the books actually start by defining what said word means in the context of that specific book. And that's perfect!

My Swaying Opinion

As I mentioned above, when I got back into magic as an adult I loathed the idea of using gaffs. I'm a hobby-magician, not a professional. I don't perform for many folks and can go easily a month between showing a trick to anyone (other than social media), but I practice daily. Why practice daily with a flap card when I could do Clip Shift instead?

Even reading McDonald's $100 Routine in More Inner Secrets and The Four Kings in Hofzinser's Card Conjuring I scoffed at the ideas and wanted to find a way to do them using non-gaffed cards. But, would a non-gaffed version be the same?

I think I've matured a bit in the past few years, or maybe I've opened my mind more. In the beginning, needing to learn the sleights was the most important thing to me and I really, honestly, think that I wouldn't have stuck with magic if I didn't. Now that I have a few sleights in my repertoire, understanding the "why I do magic" really makes me question this resolve.

I don't study, practice, and perform magic because I want people to think that I'm an expert with cards. I don't do it so people think I'm trying to fool them or pull a fast one. I'm into magic because I am a kid at heart and I want to share that same level of joy and happiness with others. That "wow" factor when something unbelievable happens in front of your eyes. And thinking about it, a flap card could do that as well as - if not better than - something like Clip Shift.

This doesn't mean I am going to dive deep into gaffs and gimmicks now and hang up sleight of hand. Oh no, no way at all. However, using a double backer is something I'll definitely do. Blank face deck? Oh yeah! Flap card on social media - why not, let's give it a try!

As long as it fits into a routine and can spark that "wow" factor, I think it's magic.

What's next?

Where do we go from here? I haven't really done much with gaffs yet. I own a handful, and most decks nowadays come with one or two like a blank face card or a double backer. But I do have double faced cards and others too.

I want to explore the world of creating my own gaffs though. I've put a bit of thought into the idea of it and I keep coming back to the Halloween Fear decks and their special "blood" card (where there's blood smeared across the card). I would never use this gaff because, well, while I think it's an amazing idea my first thought if I was the spectator would be to want to see and touch the card. Once I did that, it would be immediately obvious that it's just printed on the card which cheapens the effect and now the magician is just a prankster using trick cards... and we're back to why I disliked gimmicks.

But that's not to say that they have to be this way. One time when performing the Voodoo routine from Drawing Room Deceptions, I commented that I would normally have them sign their card but I forgot my Sharpie at home and they brought out a lighter to mark it instead. Well shucks. While that went fine and dandy and actually added a lot to the routine (which I now incorporate every time!), I've been thinking about marking cards like this. Sure, you can get a card with "printed smoke marks" … or, you can just burn it yourself ahead of time. From a distance, both would look the same but when handed out for inspection it's very visible that one is just printed and the other is actually burned (bonus points if you can smell it!).

Flap cards are also something I want to try making. I don't see myself using them much in real life performances, but on social media they can be pretty strong. Especially if I do a "which one's sleight of hand, which one's a gimmick" montage!

I don't know about you, but I feel like a whole new world of card magic just opened up to me and I have a lot to explore!

Most Commonly Used Gaff Cards

Here's a running list of what I think to be the most commonly used gaff cards:

I thought about include the neat gaffs where the card's half-and-half, like half is a 2 of hearts and the other half is a Queen of Clubs or something, but I'm not really sure what the name of that specific gaff is (I'm sure a simple search would tell me though). That, and I don't see them used too much so I can't say they're all that popular.

Oh hey, there are also a few gaff decks that keep popping up in my feeds that turn out to be pretty popular:

I don't own any of these decks, but I might grab one of the Bicycle and Jerry's and see what I can do with them. I also kind of think that this Magic Makers Ultimate Gaff Deck Card Tricks set might be a good idea for someone just starting out since it has so many built in and fun looking routines.

And to leave a fun question on the table, do stripper decks count as gaff decks?